Garment originally designed to be worn during the opening of the solo exhibition (､ﾝ､) at Dürst Britt & Mayhew, The Hague (NL), on 02.09.22.
After the opening, the garment was left in the space as it would have been in a bedroom.

Sculptures made from the artist own library.

These ensembles offer new ways of exhibiting previously made artworks.
By combining individual sculptures and drawings, these ensembles provide new narratives and meanings. This allows for the exploration of new aspects of artworks made in the past and originally intended to be displayed in a different way.

Sculpture of the artist’s notebooks.

Sculpture of a ‘FROSTA’ stool made by IKEA modified to look as its original, the ‘Stool 60’ from Alvar Aalto. This results in a mix between the original and the copy.

Sculptures of labels naming artworks where one or multiple subjects are asleep.

Paper sculpture using washi techniques and suggesting various positions related to rest and naps.

Commission of an On Kawara’s date painting copy.

Various shapes of dead leaves found in the vicinity of the exhibition spaces are scattered inside.

Fake On Kawara’s date painting hidden in the storage of the gallery.

A stiffener is applied to the canvas to obtain a solid shape, integrating parts of the support on which it rests.

These paintings are a tribute to Brussels streets, artists’ studios, friends’ flats, parties, exhibition openings at galleries and artist-run spaces, and to this common and familiar object who brings people and friends together.

Mixing drawing and sculpture, these artworks reproduces gleaned objects showcasing noticable moments of daily life activities.

A subtitle-based film in which two characters discuss life nonchalantly. Their discussion echoes the setting, the environment and the details that surround the viewer.

Digital sunset based on a custom gradient. The screening shows a record of the computer screen while a scroll into the file simulates the sunset effect. This projection enlightens and colors the room while, gradually, plunges its visitors into the dark.

Representations of almost imperceptible situations observed during visits to art venues. These are enlightening activities about the stories that flow through such places.

Corpus of character-based artworks refering to exhibition labels.
Through the use of tautology and a puzzle design, the description becomes the artwork itself.

Ensemble of small sculptures replicating elements encountered in exhibition spaces.

Exhibition photographs from the Internet in which the artworks have been digitally erased. It then shows singular details and characteristics of institutional exhibition spaces around the world.
This refers and updates Yves Klein’s initial gesture at Iris Clert gallery in 1958, and the various exhibitions of the void that followed.